Hasten Mercy Simply Appeals on Self-Titled Project
No matter how much about it you’ve heard, you can never say enough about simplicity.
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No matter how much about it you’ve heard, you can never say enough about simplicity.
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Ever wondered what the dawning of time sounded like?
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It’s difficult to escape the feeling that the Nylon Admirals are talking you with their latest single, “Butcher’s Hook”.
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There’s a number of fairly distinctive characteristics of STUCK INSIDE, the latest installment of Eric Anders’ and Mark Obitz’s collaborative series Music in the Time of Coronavirus.
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The Happy Pill Academy has presented a musical journey the likes of which almost no one has ever previously embarked with its most recent release, Postcards to and from a Doomed Civilisation.
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Producer/musician/vocalist 1st Base Runner finds himself in an enviable position as the year winds down.
Read more“We’ve Got Tonight to Leave Me Broken”, the latest singer from the enigmatically named Toigo, is peppy, upbeat, and replete with fun.
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You’ve got to wait nine songs and nearly the whole album of The Ghosts of Searchlight’s latest project that dropped yesterday, Sprawl, to hear something quite like you’ve never heard before and, chances are, you just might not again—until you hit play on “Sprawl”.
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Rare—exceedingly rare, in fact—is the dirge to which one can dance, party, or otherwise let loose to.
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It’s astounding what sort of influence can shape and curate the aspirations—and productions—of sound recording artists.
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If you ever wonder what happened to subterranean underground hip hop, then give Noveliss’ Book of Changes a whirl.
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You know what the Tanuki Project has managed to achieve on its 4-track Extended Player entitled Adamant_Chapter#01?
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There are not too many songs in existence that come even remotely close to Chained Lizard’s “Electric Vibes”.
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It’s not hard to discern what the inspiration was for Peter Karroll’s latest single, “COMING HOME”, that hit the scene a couple days ago on Halloween.
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Flavour Nurse (did you catch the spelling on that?) is coming with the real deal on its latest LP, which is self-titled and will be available for mass consumption on November 12.
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When four gentlemen get together with a bass guitar, a couple of (predominantly acoustic) guitars, a keyboard, and a drumset between them, there’s no telling what they might come up with collectively.
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Kris Heaton is doing a lot on his new album My City of Gold, which just dropped today on All Hallow’s Eve 2021.
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There’s so many different ways SEL Fellow, the most recent release from Tawni Bias, stands out from the crowd that it’s hard not to list them.
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Vectralux has a sure shot formula for winning on its latest long player, Each Morning and the Morning Thereafter.
Read moreOnce, three cuts would’ve been a single.
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Seneko is back, better than before, with his latest Extended Player ’69 Camaro.
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Sines certainly has an eye for talent.
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The essence of any rap song (that’s ever been worth remembering) is perfection.
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It’s perfectly obvious that after dropping a plenitude of albums—the latest of which, Figure It Out, graced the world’s presence earlier this month—there’s some things Christopher Sluka, leader of the band Sluka, knows how to do really well.
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Antonio, Antonio. Those who are in the know have been hearing about this chap for quite some time, who happens to be the subject of the title of the latest album from Louise Aubrie.
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