It would be interesting to observe Metaspion, the single man producer/musician/artist otherwise known as Morten Richter, at work.

Deep into 2020, electronic music—real electronic music, that devoid of recorded vocals, which functions as a collection of instrumentals and might serenade you at a bar, a coffee shop, or perhaps at those discos that once dominated the larger part of Europe—is alive and kicking.

The crown piece of lo-fi bass music for quarantine, the most recent offering from Nick Campbell Destroys, is “Goodbye Moonmen”.

Not often, but sometimes, it’s possible for an artist—such as Vipid, coming out of sunny Southern California by way of the Midwest—to give away his whole agenda on a particular body of work merely by the titles.

“Windows”, the latest single from singer/songwriter/keyboardist/organist/guitarist jefff, is a lively, inspiring number.

As Dinah Washington might’ve said, what a difference a year makes. Can you believe it was just 2019 when Scotty Seed last graced the site of Breaking and Entering?

Shihori’s latest single, “Perfect Imperfection”, is big.

Pay the Man (When You Leave)”, the recently released second single from Lord Sonny the Unifier’s forthcoming Extended Player (dropping November 13 as a digital product), is a study in paradoxes in almost all ways that matter in a song.