Watch Out for The Real J Israel’s For The Sake of R&B
It’s simply mind boggling what The Real J Israel has achieved with his latest release, For The Sake of R&B.
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It’s simply mind boggling what The Real J Israel has achieved with his latest release, For The Sake of R&B.
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A few words come to mind immediately upon running through Chris Forte’s latest LP, the lilting Backyard Astronomy (lilting, quite obviously, being one of them).
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Mental Fracture, which recently dropped its Disaccord LP a week and some change ago, isn’t playing around.
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You’ve got to have big balls to do what Big Curve Music Group’s done on its latest release, a compilation album of a slew of artists entitled The Big Cover-Up.
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If ever you were to hit the lab and crank out an album, the best way to do it is as Arnab Sengupta did on his latest release, Leap of Faith.
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J’Moris’ latest release, Moris Better: Loveless Confessions, is a true concept album.
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There’s lots to like about PORT NASIM’s new album It’s Murky Grey, which was unleashed upon the world exactly two days ago on February 8.
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The Tribal House Crew dishes up three versions of the same tune on its forthcoming single, “Afro Acid”, which drops February 25.
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Okami Three’s game plan for its single “Blue”, which hits the streets a couple months back, is readily apparent from its artwork.
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Optacure’s got quite a cut on his hand with “Stray”, his latest release.
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“Tried and True”, the newest single from Julia Pratt, is altogether something else.
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You can tell Mint June had fun putting together the Surrendering Nina EP, which just dropped at the end of last month.
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Now, take a track like “Lovely People”, one of the final songs on the recently released You’re My Pride and Joy, Etc. EP from Walking Apollo.
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Kenny Dubman’s album cover for his latest release, Conflicted, tells a lot about the music on this project that’ll be released April 29, 2022 (on a date that is the 30 year anniversary of an occurrence that has infamously gone down in American history).
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Venus Blake’s The Other Side of Midnight makes for quite the listening experience, and may take some getting used to before one’s fully comfortable with it.
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The things Ad Vanderveen does with the guitar—predominantly acoustic, but not always—on his new album “Candle To You” simply aren’t to be duplicated, or even attempted, without extreme caution.
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“Running Away”, the second of four songs assembled on Lochness Monster’s most recently released EP, Working for a Future, has all the makings of a hit song.
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Sometimes, it’s the little things in life that have the most meaning.
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The use of space in music is perhaps one of the least appreciated, most effectual elements in composition, songwriting and, to a certain extent, even song structure.
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The “long awaited firecracker man”, AKA Jeff Thorslund, front man for the duo Thorslund, which is rounded out by his brother Tom, has come to set things off with the group’s latest single, the appropriately titled “Firecracker Man”.
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It really is something truly astounding—and captivating—what one can do with an electric bass and electric guitar.
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It’s not hard to tell where The Color of Cyan was focused on its latest LP, Agape.
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You look at his name hard enough, you science the title of his most recent Extended Player (that’s Open-Mindedness), or check for any of the promotional photos for this project, and you can tell just where my man Aura Blaze is coming from.
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Those who are fans of rap—as distinguished from fans of rap music—will have a field day perusing through the most recent release from J Ru.
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Try arguing with Committee of Vultures about its latest Long Player, or just the title of it, Everybody Wants The Blues.
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