Tag Archives: Avant Garde

AUDIO: Kleaner – “Alive With Pleasure”

Conceptual performance artist Kleaner is out with a new album. It’s nine gothic tracks of bass guitar and drum machine that channel painful scenarios such as being a fool for love, catching a lover red-handed, and fearing abandonment; the album seeks truth, liberation and healing similar to Kleaner’s last EP “First Ladies.” They recently told us in a spotlight that

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VIDEO: Kyle John Kenowski – “A Transient Thing”

Psych-classical-folk-pop artist Kyle John Kenowski’s got the video out for “A Transient Thing” for his “infinite” album “Ourugorus Garden.” The singer-songwriter recently moved to Seattle, and the visuals here reflect his new surroundings. There’s flowers, mountains, wildlife, and rain-soaked forests – and even a cat! “A Transient Thing” reflects the blooming landscapes as the lyrics touch on getting older, going

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AUDIO: Dave Schoepke – “Bionic”

Experimental percussionist Dave Schoepke has a new single out this week. This piece is actually almost thirty years old; it was originally released on a cassette for a different project, but Schoepke revived it for inclusion on his upcoming EP. The song features vigorous drums and cymbals in addition to a sound effect created by scratching a microphone over the

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AUDIO: Glenn McCormick – “Lakefront”

Jazz artist and multi-instrumentalist Glenn McCormick just put out his debut album. Rife with warm delight, McCormick takes eleven tracks into bossa nova territory complete with violins, flute, and trombone. There’s nothing quite like Milwaukee in the summertime – as we all know – and McCormick plays with the imagery of the city’s lakefront to captivate a jovial holiday energy.

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AUDIO: Devin Drobka Trio – “Resorts”

Avant-garde jazz composer Devin Drobka enlisted bassist Aaron Darrell and pianist Matt Blair for his latest record. Inspired by the end of his last relationship, Drobka created this body of work as intentionally as one can, finding joy with each passing moment as the musicians connect with one another through fearlessness, urgency, and compassion. There’s a profound level of trust

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AUDIO: Darkpebble-BlueWave – “Wild Rose, Winter Garden”

Avant-garde classical project Darkpebble-BlueWave has a new record out, done in virtual collaboration with Paulo Chagas. Consisting of five improvised pieces, the two artists build synergy with grace and patience. Each piece is meant to represent the movements of a garden in bloom. Instruments they use include bass clarinet, alto saxophone, flute, singing bowls, piano, and chimes. Not only that;

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AUDIO: Mike Neumeyer – “How I Wish You Were Here”

Percussionist Mike Neumeyer has another tune for us out this week. Released on the three-year anniversary of his father passing away, this piece is dedicated to his healing process from such a personal loss. He plays the marimba here with focus and glee, gradually introducing new elements of rhythm as well as mournful lyrics. Spanning over eight and a half

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AUDIO: KASE – “Alive”

KASE is an avant-garde jazz collective consisting of Jamie Breiwick, John Christensen, and knowsthetime; they’ve got a new record out today on B Side Recordings. In the most experimental of approaches to jazz the group plays with turntablism, rapping from CRASHprez, live beats, and free improvisation throughout these eclectic compositions. The final track extends this fusion over fourteen minutes. Classics

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AUDIO: Dave Schoepke – “Tessellated Resonance”

Percussionist Dave Schoepke recently dropped an album of entirely drum kit songs, each with a different kit setup. It’s an especially avant-garde release, centering the drum as the primary instrument rather than using it for rhythm. Each track is ambitious in its own way whether it’s playful, suspenseful, or firm in movement. We love exploring the more experimental side of

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AUDIO: Marielle Allschwang – “Visitations IV”

Cover artwork for Marielle Allschwang - "Visitations IV"

Singer/Songwriter/multi-instrumentalist Marielle Allscwhang is a creative powerhouse. With music that teeters between conventional indie and avant-garde, Allschwang is known for being extra creative, and her new album, “Visitations IV”, is just that. With nine tracks that blend lo-fi guitars, tight percussion, and more abstract elements like a musical saw and upright bass, the album has an eclectic sound, with Marielle’s

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