There are two principal points of interest, which rear themselves constantly in the passageways and corridors of sound compromised on Mark Bram / Ruby Topaz Again 23rd Anniversary Remaster, on this compendium of cuts.
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The vivacity of Idiot Grins, as illustrated by the band’s most recent Long Player, Hounds of Mess Around, is beyond commendable.
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There’s a certain sonic sophistication seen in Aaron Wyanski’s latest offering, which is entitled SCHOENBERG: Drei Klavierstücke, Op. 11.
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“Morgantown”, the latest single from Geoff Gibbons, which dropped last month not too long after the celebrated solar eclipse, is one of those numbers that dares the listener to practice active listening
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Other than the perpetuation of crack cocaine, the infiltration of hip hop could very well be the single greatest achievement of the social, economic, and political order of our times.
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Black Dog String Quartet’s accomplishment on its forthcoming Long Player, A Thousand Times Brighter, which drops on April 28, isn’t that the group put together a whole album that’s entirely acoustic.
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RPxSB have returned with another album. This one is entitled Shaggy Carpets.
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Now, what Bad Sneakers does well on its latest album, Tanooki Suit, which will be in your faces on April 7, the group (or is that band?) does extremely well.
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It greatly appears, simply by running through Vectralux’s latest project, the six-cut Extended Player The Subtle Extravaganza, which is due out on April 28, that the quartet is at the stage of making music where it knows what it’s doing so well that it only gives you the good stuff.
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There’s no paucity of action, and activity, taking place on “Affinity”, the latest single from Pure Order, which happens to drop tomorrow on March 24th.
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“Screens”, the latest release from DG Adams, is one of those ballads you can easily zone out to without thinking about it.
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A voyage into NTHNL’s Cosmic Flute Rides Again provides such a transporting, surreal experience aurally, in a way that the metaverse likely never will.
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Close your eyes (or keep them open), lean your head back, and let it come out of you: “Aah, aah, aah/ aah, aah, aah”.
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As a songwriter, vocalist, performer, engineer, producer, and sonic sculptor, Red Bird Rising knows well the allure of such a multifaceted approach to unearthing the melodies, words, and very sounds that are heard…
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There are a couple discernibly notable motifs to The Violation of the Terms and Conditions, the latest Long Player from the quartet Get Out.
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Believe it or not, Red Bird Rising manages to pack two cuts into the price of one in his latest single and video, “My Revolution”, which features Tara Kuznetzov.
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Reginiano is onto something quite major in his latest single and video, “Time To Let Go”.
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By far, the best part of Graham and The Band Upstair’s opus, “Home To You”, is Graham’s voice.
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The best of the work on Doc City’s LP, Welcome to Doc City, which drops on January 27th, is a mighty, mighty collage of sonic mastery to behold.
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Everything about Globus, it’s latest release Cinematica, the band itself, and the sundry of songs on this project, is just a tad bit enigmatic.
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Take a peek at the artwork for Lamedd’s most recent release, the Extended Player entitled Permit.
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There simply aren’t a lot of artists like the one, the only, Erin Côté.
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There’s no doubts to be found anywhere on the album Rabbit Hole, which Ruby Topaz dropped at the beginning of November.
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2007 it was that Robin Thicke, son of Growing Pains’ Allen Thicke, captivated the collective musical consciousness of both coasts with “Lost Without You”
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It’s pretty astounding what DJ Patsan is able to pack in little more than two and a half minutes on his forthcoming single, “Come This Way”, which will see the light of day on major platforms on January 23rd.
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