Tag Archives: Psych

AUDIO: Jake Marin – “Archive Vol. 1”

Experimental psychedelic artist Jake Marin released a tape of songs he recorded between 2013 and 2016. It’s seven tracks; Marin plays with electronic effects and scattered percussion that range in structure from ominous ambient to vivacious freak pop. “Make Light” and “Dish Interest” are the only two tracks containing lyrics, while “Stay Outside” appears to be a meticulously layered sample

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ARTIST SPOTLIGHT: Astral Hand

LA’s psych-space rockers Hooveriii (pronounced hoover-three) came to Cactus Club Monday evening, enlisting Milwaukee’s Astral Hand as well as Minneapolis’ post-punk shoegazers Cult of Lip for an epic musical odyssey that brought in a packed house. Astral Hand consists of vocalist/synthesizer Al Kraemer, guitarist Vic Buell, bassist Anthony Smith, and drummer Dan Dahl. This was their first show in an

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AUDIO: Adorner – “Right Time / All the Time”

Psychedelic rockers Adorner recently dropped their debut single. With soaring vocal harmonies, New Age-friendly piano and sensual guitars, the band conjures a multicolored layer cake of a song, bursting with lovelorn emotion. It’s the type of song where you notice a different sound or component embedded every time you give it a listen. We hope to hear more from this

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AUDIO: Colorblind Chameleon – “Colorblind Chameleon (Live in Minneapolis)”

Psychedelic rockers Colorblind Chameleon’s first-ever release on streaming platforms is a live album from a show they did in the Twin Cities. The result is a wicked party record that fuses prog, jazz, and classic rock into a good time to spill beer to. The banter is friendly and only here to have fun as well. It’s easy to tell

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AUDIO: Shogun – “Tetra”

Stoner rockers Shogun released a new album this week. Psychedelic and fantastical, the band brings enough riffage here to stop a demonic galleon trekking across the stormy sky. They move mountains with the epic “Delta,” enter a ruminative trance with the somber “Gone Forever,” and cry victoriously with the prevailing “Maximum Ray.” The guitar solos annihilate all in their path

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AUDIO: VBIV – “Fun Boy”

Neo-psychedelia artist VBIV’s latest single revolves around the hopes of being with a girl. The song continues the other-worldly desert feel present on VBIV’s recent EP “Fallen Angels” with triumphant horns, atmospheric percussion, and reverb-heavy vocals. Mixing acoustic and electronic instrumentation, the song begs for adventure with that special someone. We hope VBIV has more to come soon.

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AUDIO: The Last Bees – “Earlier Grave”

Pop rockers The Last Bees’ latest tune is heavily inspired by ’60s psychedelia. It’s about the irrational thinking, apathy, and extremes one may fall into when they’re faced with persistent uncertainty. Vocalist Ian Ash told 88Nine that he’d been inspired by The Beatles’ “Ticket to Ride” for the song’s demeanor and that the pandemic created a unique scenario that fit

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AUDIO: Psyclopean – “Ex Oblivione”

Psychedelic-ambient project Psyclopean is out with a new record, based upon the H.P Lovecraft story. Building on the visceral desolation Psyclopean has sonically conjured before, the music here feels like loneliness in space at times but stumbling on a desert civilization at others. About halfway through there’s horse samples, as well as someone smoking a bong. Neat, right? It’s certainly

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AUDIO: Moonglow – “Brick Wall”

Moonglow, formerly known as Commodore Calipso, is out with their second single today. The band brings a unique fusion of funk, soul, neo-psychedelia, and rock while heavily inspired by Japanese city-pop. Featuring horns, shattering bass and twinkling guitars, vocalist Joe Humiston brings an infectious performance where he sings of being in a hopeless trance. Moonglow’s exciting fusion is sure to

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AUDIO: Conundrum – “Is As, There Was”

Prog-psych rockers Conundrum are out with their long-awaited sophomore EP. Beginning with a vibrant and ambient soundscape, the first track features space-like vocals that bring us into an intergalactic daydream. The second track, featuring Mike Neumeyer on vibraphone, is shorter but brings more complex and jazzy instrumentation. The third track had been the EP’s lead single and is a satire

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