AUDIO: PaperStacks Featuring Mo’City – “Pinky”
The two have a joint project on the way, and if this is a precursor for what’s to come, we’re collectively not ready for it.
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The two have a joint project on the way, and if this is a precursor for what’s to come, we’re collectively not ready for it.
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Pape is keeping his motion cosistent, making money and sliding from one part of the city to another, so you have to keep up with him.
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Ebe Jojo is grinding for his money, and if you can’t match his hustle, he doesn’t want to be around you.
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The two trade bars on the song, each talking about their own efforts to make money, and both talk about running through the streets doing whatever it takes to get ahead.
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Tells is making plays with ease, moving through the city and collecting at every turn.
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Both rappers let you know that they’re not after girls that they have to save, and that message is sprinkled lightly into verses about getting to their money and living at their own pace.
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With a beat that feels like an evolution of jack music from a previous generation, GBaby is serious about the flow, packing in clever bars while talking about his hustle.
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The track is full of heavy bass and autotuned bars, talking about making it all look effortless.
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There’s no slowing down his roll, and no holding up the energy on each of these cuts.
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With ever-persistent lowend claps, the two are letting you know that no matter if you’re a big girl or have a slightly more modest posterior, they’re still into it.
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They’re not playing when it comes to the money, talking about their need to stay on the grind and get to the bag.
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The beat feels dreamy, and she asserts her place as the reigning queen of lowend while trying to get you to throw something back.
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The beat is chill, but Lamo’s vocals are very present, letting you know he’s on one when it comes to the flow.
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Solo B is as determined as ever on “Crashout,” a track about not letting the world get to him anymore.
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DoDat has all the confidence in the world, and it shows on some tough raps about catching opps in the streets.
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The focus is clear; money over everything, and nothing is going to get in his way.
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The energy is up on this one, and Tay talks about staying on his grind, moving from one payday to the next.
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Over a beat that sounds like lurking through the streets late at night, the two detail the plays their making to get their money up.
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At the top of the month, Richie P. Goldchain added to a series of projects with the release of “The Day After, Pt. 1,” a collection of 12 tracks that speaks to his evolution as an artist.
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The swagger is ever-present on this one, with Jake talking about staying consistent on his grind.
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Tells lets you know he’s a big stepper, with a brick of cash at his side and his crew around him at all times.
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FYB Frank continues to elevate, and that includes a recent linkup with SME TaxFree for “Crash,” a track that details how real it can get on the streets.
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Y&B ManMan is here to make asses shake, and he’s not playing coy about it at all.
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The rapper is in the studio by day and making plays on the street at night, with no time to sleep in between.
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Flipping rappers’ names into flexes is nothing for Trey, who raps about wanting a deal and continuing to elevate throughout the clip.
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