Singer-songwriter Father Sky’s latest single is a true ode to the heart. Anthony Deutsch’s distinctly tender, buttery voice sings passionately of love and light with electro-soul and R&B flavor. There’s an undeniably genuine sense of curiosity yet urgency here, seeking to untether oneself from confusion in favor of transcending into high levels of self-awareness and consciousness. “Where to Begin?” is
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Get ready to dive into the world of making money in the streets with this new banger.
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ith a casual yet confident flow, GasAlotCam flexes about the cash he’s raking in.
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“Expired” showcases a lot of contemporary rap elements, like the autotune used over both melodies and ad-libs, as well as a techno-esque beat.
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The song keeps the energy up, with both artists talking about running through the streets making money.
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The two talk about movies, photography, cathedral architecture and so much more.
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Rydawg Beatz teams up with a pair of Run Along Forever artists for a new two-pack.
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While he’s not breaking new ground from a subject matter standpoint, Dubb Saq talks about hooking up with finesse.
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Today, we host the captivating instrumental guitar virtuoso, Pat Zyduck, also known as Elysian Stew.
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Catch up with the latest in music from Milwaukee with this week’s playlist!
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Surf folk artist Blacktop released the visual to “Expectations” off his last record “Gardening is a Practice, Not an Idea.” Shot by bandmate Jordan Taylor, the scene follows Austin Wood out and about in nature with guitar in hand, playing it gently as he hangs out near the water. Cardinals sing and waves soak the shore in a fall haze,
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Adorner now has the visual out to their most recent single “Nimwe.” We find vocalist Madeline Stadel in a winter wonderland, walking through snow under barren trees and pausing at times to take in the beautiful scenery. The music swells as Stadel goes deeper and deeper into the picturesque nature, captivating us with the duality of harsh weather and scenic
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Osseo released a new EP earlier this month, bringing four songs of raw, gripping emo rock. Whether it’s the introspective wash of “Verona Court” or the cathartic slow burn of “I Don’t Like You”, Osseo demonstrate their evolving adaptability here by way of impassioned melodies and intensely convicted lyrics, leaning into a heavier side compared to earlier material. Osseo weather
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Trapper Schoepp embodies every essential element of the Americana brand with his new single, “Meet Me at the End of the World”.
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Eli continues where “Absolutely Not” left off with a new single.
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Abby Jeanne released a new song this past Friday, and she’s venting towards the world.
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Promises hosted the third Stand Up / Fight Back benefit this past weekend featuring a wide variety of heavy music.
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By: Elizabeth Lintonen Madeline Stadel, dressed in a long, flowing skirt, intentionally accessorized with a pair of dazzling gold and purple moon-shaped earrings, makes her way through her Riverwest apartment’s living room. In the sage smelling space, we are introduced to two very key components of her environment. The first, a black cat named Luna. The second, her keyboard, a
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DC The Don returns with a 23-track epic of a project.
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Singer-songwriter Ryan Schmidt has a new tune out – his first since 2022 album “Portrait.” Driven by a raw acoustic melody, “Neon” touches on living your life blind to demons right in front of you. Once what blinds you burns out, you realize what’s been blocking your peace, and that’s when the song swells into a moving grandeur that echoes
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Folk rockers Chris Haise Band released two singles last Friday. Haise is known for his evocative yet affable lyrical approach, and this pair of tracks is him at his most emotionally raw and sincere. “Medusa” is a bouncy bluegrass tune about coming to terms with your personal shortcomings, complete with a radiant cello solo. “Breaking My Heart” is driven by
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The track lets you know that Chicken is up now, if you didn’t know that by this point, it’s time to catch up.
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Experimental-electronic act The Demix kicked off March with a new EP. Consisting of material he’s been playing live over the last year, “ARRIVAL” brings all the hyper-driven electronica you could need to get amped up. Whether it’s by way of a caffeinated bass blast or an ominously textural atmosphere, there’s a masterful, tried-and-true versatility to the artist’s attention to detail
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With an Afrobeat-infused sound, Kia raps about a late-night rendevous, not wasting time playing games.
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The mixture of the two artists’ styles feels like a miracle experiment that worked too well.
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