Author Archives: indeuce

Montresor’s Autopoiesis Defies Words

By Deuce Running through Montresor’s Autopoiesis, an 8-cut LP that first made its rounds with a  spring release, is like listening to a story. Only thing is, there’s no words, or narration, or verbal communication. But, the producer and musician more than makes up for that fact with his instrumentation. This tendency of the artist is epitomized on “Farmland”, which

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James McGowan Ensemble is Reaching Out to New Dimensions

By Deuce With the cast of characters on display on Reaching Out, the latest and most elated album from the James McGowan Ensemble, there’s very few things the collective cannot do. Now mind you, we’re talking about a horn section that’s four players deep, spanning everything from the trombone to the trumpet, soprano, and tenor saxophones. They’re used to spectacular

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Les Brown’s The Next One Will Soon Be First

By Deuce If you’ve never heard his name before, or just don’t know too much about him, there’s one thing you need to know, and not forget, about your man Les Brown. Dude’s a serious artist. Brown isn’t wasting any time, resources, or anything else on The Next One, the album he dropped earlier this summer. He comes in full

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NTHNL’s Ontogenesis is Special

By Deuce There are not a lot of Long Players out there today, or any other day, for that matter, that sound too much like Ontogensis, NTHNL’s most recent album. One might easily have inferred so from the title of this opus or from the name of the artist (who also goes by Jacob Rudin. In fact, the most accessible

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Indiana Rich’s Gemini: ‘Nuff Said

By Deuce Before running through her latest album, take a good, hard look at the artwork for Indiana Rich’s most recent Long Player. Notice how it invokes both black and white photography and color? And, that it’s a close-up of the artist and some serendipitous insect? Next, check the title of this opus. That would be Gemini and, for those

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Function Defines Form on Joan Torres’ All Is Fused’s Album

By Deuce It’s pretty curious that Joan Torres’ All Is Fused decided to call its most recent LP “Embrace Form”. The collection of songs, for the most part, seems characterized by a deliberate irreverence for form or, more precisely, song structure. Instead, these tunes—which include meandering efforts such as the seven-plus minute opus “Cotati Reset” and an over-eight minute affair

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Anything Goes on Mother Ghost’s Radio Fantasma

By Deuce There’s no telling what you’ll get on Radio Fantasma, the latest release from the duo known as Mother Ghost. The LP, after all, is 13 cuts long—a number you’ll rarely see in modern buildings, tenements, etc. One of those songs is exactly zero minutes and zero seconds. Seriously, that is. In fact, just to show you what type

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Driftwood Pines’ Crimson is Out of This World

By Deuce The name of the group you need to know is Driftwood Pines. The release? That would be Crimson, the Extended Player that touched down on the first of the month. The man of the hour, the day, or any moment in which you choose to throw these recordings on? None other than IJ Smith. Although Smith pairs with

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Paul Feder’s “Paperclips” Could Fatten His Money Clip

By Deuce There’s something very akin to hypnosis going on on “Paperclips”, the most recently released single emanating from Paul Feder. Part of it is firmly lodged in the interminable refrain, the two word titular phrase that sounds like a single word because it’s repeated so much, sometimes for each bar, via what sounds like the snatch of a vocal

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Ace Poetik Zones on “Tears of a Melody”

By Deuce The sense of space pervading about the track on “Tears of a Melody”, the latest single from microphone musician Ace Poetik, is palpable. It’s designed for drifting off, enveloping oneself in one’s thoughts, emotions, remembrances, close encounters, and the like. That’s predominantly what Ace does, taking his time through a string of 16s to flash back to some

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Far From Happenstance: The Life and Music of Bill Greenberg

By Deuce “There are three types of people in the world today. Those that don’t know what happened, those that wonder what happened, and people like us, from the streets, that make things happen.” –Bushwick Bill on “Stranded on Death Row”, Dr. Dre, The Chronic, 1992. Bill Greenberg—electric, acoustic, rhythm, and lead guitarist; singer, songwriter, and harmonica player—has been making

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SINES Defies Gravity on New Album

The breadth of work, styles, voices, and genres, even, displayed on SINES’ Long Player, Gravity is, at times, a wonder to behold. Throw in the collection of cuts on random. Whatever tune you happen to land on will seemingly give you a different type of album—especially if this is your maiden voyage running through it.

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