Milwaukee rapper Baby Geeze is turning heads with his latest high-energy track “Finally Went Legit,” a 192 BPM street rap anthem that showcases his crossover potential and positions him as one of the city’s most compelling emerging artists.
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Milwaukee-based artist Run Along Forever’s latest track “Carry and Conceal” is a uniquely hypnotic, high-danceability release that showcases a distinctive artistic voice and highlights Milwaukee’s thriving underground music scene.
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Milwaukee rapper Gwapo Chapo’s latest track “Already Knowin” is a confident, mid-tempo offering that showcases his growing potential and positions him as an emerging voice worth watching in Milwaukee’s rap scene.
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Milwaukee-based artist Cardiac Da Pulse has released “Safe Space,” a smooth, groove-driven track at 92 BPM that highlights his ability to craft a laid-back yet danceable atmosphere, cementing his place as an emerging talent in Milwaukee’s growing hip-hop and R&B scene.
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Milwaukee-based artist Lonni Monae is making a strong impression with her energetic and groove-driven new track “POTW,” showcasing her musical talent and hinting at a promising career ahead.
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Milwaukee-based artist Spaidez has released “OMKS,” a mid-tempo, groove-driven track that highlights his growing artistic vision and puts a spotlight on Milwaukee’s emerging music scene.
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Multi-talented artist David Lopez discusses his journey in the Milwaukee music scene, the evolution of his label Passion Park Entertainment.
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Producer and beat battle veteran James Ashen shares talks about his history in production and his plans for the future.
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H.Kain reflects on the evolution of his music style, the importance of life experiences in songwriting, and his collaborations with other artists.
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Producer Dead Ba$$ discusses his unique approach to music production, balancing family life with his creative endeavors, and more.
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reflects on the challenges of maintaining a consistent social media presence and the desire to release music more frequently going into 2026.
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Multi-faceted artist Johnny Franchino shares his story, from his early influences and performing with The New Grey and experiences in hip hop to his current projects, including the Aesthetix series.
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Separate from Guerrilla Ghost, Tron Jovi’s beats hit hard as always, with a glitchy warmth to it and elements of drum and bass along the way.
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SD Produces shares his journey as a music producer, spanning from his early experiences with FL Studio, his transition to Logic, and his comfort zone as a beatmaker and engineer.
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Ameas told us his backstory, getting started rapping at a very young age, and progressing to where he is now. We also learned about what he’s up to for the new year, and where he’s focused on developing his craft.
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Between hosting Big Beat MKE this past summer, rapping, singing, and as a co-host of the Press Play Podcast, she’s always busy, and she lets us know about some new endeavors that she’s getting into as well.
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Drizo reflects on how personal experiences have shaped his music and emphasizes the importance of connecting with his audience through his art.
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From working with different organizations to creating his own music, he stays busy, and let us know where he’s headed when it comes to the new year.
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From taking a bit of time off to live life after his trilogy of projects, he’s starting to get active once again.
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Quise tells us about his history as an artist, some of the first projects that he worked on, and pushing himself to rap on different styles of production to up his game.
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OA talks to us about what he’s been up to as of late with the Milwaukee Music Cartel, as well as the projects that he has in the works.
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The piano-driven beat has a uniquely Milwaukee bounce to it, and CMoney spits with finesse about going from being broke to staying up.
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Scoecaine talks about his hustlie, with a hunger for more money that comes through in every bar.
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The song takes a distorted, electro-heavy beat from Tron Jovi and adds some distinct flare from Bad Graphics Ghost, who brings the gift of raps.
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The track, produced by Bckwds, features no percussion, but only a vibe-heavy bass line that Rio uses to ride the beat
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